do atheists say oh my god
yep. we say it any time we hear something that’s unbelievable.
Filmmaker Guillermo del Toro put all his ideas for `Pan’s Labyrinth’ in a notebook — then lost it.
The heavyset man ran down the London street, panting, chasing the taxi. When it didn’t stop, he hopped into another cab. “Follow that cab!” he yelled. Guillermo del Toro wasn’t directing this movie. He was living it. And it was turning into a horror tale.
The Mexican filmmaker keeps all of his ideas in leather notebooks. And Del Toro had just left four years of work in the back seat of a British cab. Unlike in the movies, though, Del Toro couldn’t catch the taxi. Visits to the police and the taxi company proved equally fruitless.
Del Toro’s films — “Chronos,” “The Devil’s Backbone,” “Blade II,” “Hellboy” — typically feature magical realism. Fate was about to return the storytelling favor.
The cabbie spotted the misplaced journal. Working from a scrap of stationery that didn’t even have the name of Del Toro’s hotel (just its logo), the driver returned the book two days later. An overwhelmed Del Toro promptly gave him an approximately $900 tip.
The sketches and the ideas in that misplaced journal — four years of notes on character design, ruminations about plot — were the foundation of “Pan’s Labyrinth,” a child’s fantasy set in the wake of the Spanish Civil War.
The director, who at the time wasn’t even sure he’d actually make “Pan’s Labyrinth,” took the cabbie’s act as a sign, and plunged himself into the movie.
Six hundred goddamn AD
Six hundred. Goddamn AD.
This needs to be en-grained in every single living human.
The Imitation Game - Official UK Trailer 2 (x)
Best Keep Calm
You might say that Antoni Gaudí was an architect of the cloth. From 1883 until his death in 1926, the Catalonian master oversaw the construction of the Roman Catholic basilica Temple Expiatori de la Sagrada Família in Barcelona, Spain. When people asked him why it was taking so long, he purportedly replied, “My client isn’t in a hurry.”
Here are three elements we often see in town names:
If a town ends in “-by”, it was originally a farmstead or a small village where some of the Viking invaders settled. The first part of the name sometimes referred to the person who owned the farm - Grimsby was “Grim’s village”. Derby was “a village where deer were found”. The word “by” still means “town” in Danish.
If a town ends in “-ing”, it tells us about the people who lived there. Reading means “The people of Reada”, in other words “Reada’s family or tribe”. We don’t know who Reada was, but his name means “red one”, so he probably had red hair.
If a town ends in “-caster” or “-chester”, it was originally a Roman fort or town. The word comes from a Latin words “castra”, meaning a camp or fortification. The first part of the name is usually the name of the locality where the fort was built. So Lancaster, for example, is “the Roman fort on the River Lune”.
A Little Book of Language by David Crystal, page 173. (via linguaphilioist)
Having only discovered Dennis Kelly’s magnificent UTOPIA mid-way through series 2, I’ll admit I was a bit late to jump on the bandwagon, but man was I glad I took the time to catch up! Conspiracy, mystery, bloodshed, black humour, the show had everything I wanted (also I must plug the excellent soundtrack by Cristobal Tapia De Veer – pumping it through my headphones has added spice to many an…
What??? No, leave it alone America. Make your own shows